Showing posts with label Joe Dallesandro. Show all posts
Showing posts with label Joe Dallesandro. Show all posts

Thursday, March 26, 2009

Take me out tonight where there's music and there's people and they're young and alive

Morrissey is playing tonight at Carnegie Hall - I have been waiting for this moment for my entire life. Tonight will be my first time seeing him perform.

Oscillate Wildly is my favorite Smiths song - there is something about the melody that instantly brings me back to a certain spring and summer. This instrumental track says so much, without any words. This lack of obvious meaning or lyrical context make it about whatever I want it to be about.

My friend Evelyn introduced me to The Smiths music. I don't have any older brothers or sisters, and my local "Alternative" radio station WDRE 92.7 rarely played The Smiths or Morrissey. The most peaceful place for me was walking , listening to my Smiths tape in my walkman. The Smiths are literally are the soundtrack to my teen years.

I for one couldnt be happier that Morrissey's music has lately been embraced by a wider demographic. My experience with the music has always been solitary, so I am elated to be in a hall full of people who all have their own personal relationship with Morrissey.


The Smiths used a still photograph of Joe Dallesandro, from the film Flesh as the cover of their eponymous debut album:

Wednesday, October 29, 2008

Lou Reed



Lou Reed was in 1942 and grew up in Freeport, New York. He developed an early interest in rock and roll and rhythm and blues, and during high school played in a number of bands. His first recording was as a member of a doo wop-style group called The Shades.

Reed received electroconvulsive therapy in his teen years in response to his homosexual behavior; in his dark 1974 song, "Kill Your Sons", he revisited the experience. In an interview, Reed said of the experience:

“They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland County to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page seventeen and have to go right back to page one again."

"Walk on the Wild Side" is a Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on topics such as transsexuality, drugs, male prostitutes and oral sex and the term "colored" to refer to African Americans.


The lyrics tell of a series of individuals and their journeys to New York City, and is a thinly-veiled biography of several of the regular "superstars" at Andy Warhol's New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed's song "Candy Says".

"Walk on the Wild Side":


It is usually regarded as Reed's best-known solo work. The song reached #16 on the U.S. Billboard Hot 100, and #10 in the UK.

The mellifluous saxophone solo played over the fadeout of the song was performed by Ronnie Ross, who had previously taught David Bowie to play the saxophone during Bowie's childhood.
The song is also noted for its twin interlocking bass lines played by Herbie Flowers on double-bass and overdubbed bass guitar, featuring the extensive use of a major tenth interval, which was unusual in pop music until then.

Vanessa Paradis covered the song in her album Variations sur le même t'aime.

Beth Gibbons performing Lou Reeds song about Candy Darling, "Candy Says":

Every day my train passes thru Freeport. On my way to work in the early morning I can see the laborers assembled outside of 7-11, looking to be picked up for work.

Monday, October 27, 2008

Candy Darling



Over the weekend, Undercover noticed that the cover of The Smiths 1995 compilation album, Singles, featuring a design made earlier by Morrissey but previously unused, and stars singer and actress Diana Dors in a still from the 1956 film Yield to the Night has a similar context to the way that "Candy Darling on Her Deathbed" was used by the group Antony and the Johnsons as cover for their album I Am a Bird Now.

Candy Darling was born James Lawrence Slattery in Forest Hills, New York, son of Theresa Phelan, a bookkeeper at Manhattan's Jockey Club, and James (Jim) Slattery, who was described as a violent alcoholic. There is some conjecture around Candy's year of birth. According to former Warhol associate, Bob Colacello, Candy was born in 1946, her friend, roommate, and posthumous editor, Jeremiah Newton, states that she was born on November 24, 1944.

Early years - as a male - were spent in Massapequa Park, Long Island, New York where she and her mother had moved after her parents divorced. Her half-brother Warren, a product of Theresa Slattery's first marriage, left home for the U.S. military, leaving Jimmy as the only child; Warren later denied his connection to Jimmy.

Jimmy spent much of her childhood absorbing the influences of US television and old Hollywood movies, from which she learned to impersonate her favorite actresses, such as Joan Bennett and Kim Novak. She claimed to have "learned about the mysteries of sex from a salesman in a local children's shoe store" and finally revealed an inclination towards dressing as a female when her mother confronted her about local rumours which described her dressed as a girl frequenting a local gay bar called The Hayloft. In response Jimmy left the room and reappeared in full feminine attire. Her mother later said that, "I knew then... that I couldn't stop Jimmy. Candy was just too beautiful and talented."

Late at night Candy would often take a cab (thereby avoiding the attention of neighbors she would receive if she walked) a short distance to the Long Island Rail Road station for the train to Manhattan, frequently sitting across from Long Island starlet Joey Heatherton. Once there, she referred to her modest Cape-Cod style home at 79 First Avenue in Massepequa Park as her "country house" and hung out in Greenwich Village, meeting people through the circle of Seymour Levy on Bleecker Street.

Before they actually met in 1967, Candy saw Andy Warhol at the after-hours club called The Tenth of Always. It wasn't long before Warhol invited Candy to appear in one of his movies. She was given a short comedic scene in Flesh (1968) with Jackie Curtis and Joe Dallesandro. After Flesh, Candy was cast in a central role in Women In Revolt (1971). She played a Long Island socialite drawn into a woman's liberation group called PIGS (Politically Involved Girls) by a character played by Jackie Curtis. Interrupted by cast disputes encouraged by Warhol, Women in Revolt took longer to film than its predecessor and went through several title changes before a consensus was reached. Candy wanted it called Blonde on a Bum Trip since she was the blonde, while Jackie and Holly told her it was more like Bum on a Blonde Trip - titles which were both used in the film during Candy's interview scene. Women in Revolt was first shown at the first Los Angeles Filmex as Sex. Later it was shown as Andy Warhol's Women, an homage to George Cukor.

Candy succumbed to leukemia and pneumonia on March 21, 1974, aged about 29; she died at the Columbus Hospital division of the Cabrini Health Center.

Like Candy, I too grew up in Massapequa Park. Also, like Candy, I have brother who joined the military. My brother Joseph is a Marine and a veteran of the Iraq War. Unlike Candy, I still live with my brother in Massapequa Park. He is my best friend. Every day I ride the Long Island Rail Road to work at Women. Every night, on my walk home from the train I pass by Candy's childhood home.

As of the census of 2000, there were 17,499 people living in Massapequa Park and the the racial makeup of the village was 97.37% White. As of 2004, they still ban books in Massapequa High School. "The Perks of Being a Wallflower", which has sold 300,000 copies, and is recommended for adolescents by the American Library Association, was banned from Massapequa High School in 2004.

The Perks of Being a Wallflower is an epistolary novel written in the 1990's by American novelist Stephen Chbosky. It was published on February 1, 1999. The story takes place over a series of letters to a friend written by the narrator, a teenager named Charlie. The story explores topics such as introversion, teenage sexuality, abuse, and the awkward times of adolescence. The book also touches strongly on drug use and Charlie's experiences with this.

One student felt the book was innapropriate and her parents complained to MHS. The response was quick. School officials declared that Perks hadn’t been approved as required reading, and told the teacher, Jennifer Pesato, to use a sociology textbook instead. A school letter went out to parents, offering refunds to anyone who had purchased the novel.

“I was a little disappointed the teacher took a little detour,” said Susan Woodbury, the Massapequa district’s executive curriculum director. “I think she did this in very good faith, in trying to get the kids hooked on an issue. But I’m not sure it was relevant for a sociology class.”

Elsewhere, Perks also has been pulled from classrooms and library shelves, in response to parent complaints. It’s happened in Massachusetts, Ohio and Virginia. Stephen Chbosky, a Brooklyn resident who wrote Perks as his first novel, thinks the book’s opponents miss the point.Perks, he said, is about teens who ultimately find their way in life. Chbosky gets lots of appreciative e-mail messages from adolescent readers, two of whom said the book saved them from suicide. “If that doesn’t send a positive message, I don’t know what does,” he said.